KEN OHARA | OFFSCREEN PARIS 2026

  • Ken Ohara, GRAIN P-14, 1993

    Ken Ohara

    GRAIN P-14, 1993
    Gelatin silver prints mounted under Plexiglass
    240 x 197.2 cm
  • In 1970, while working as an assistant to Hiro and Richard Avedon, Ken Ohara emerged as a young artist with his seminal ONE series. Using a set of strict parameters, Ohara created his systematic series of tight portraits of over 500 diverse New Yorkers in the same format, size and style: abruptly zoomed in and cropped on the neutral expressions. Uniformly positioned in the frame, and selecting only faces without facial hair or overly obvious makeup, the series is at once an exploration of homogeneity and diversity, individuality and universality.

    • Ken Ohara, ONE 353, 1970

      Ken Ohara

      ONE 353, 1970
      Gelatin silver print
      25.3 x 20.3 cm
    • Ken Ohara, ONE 170, 1970

      Ken Ohara

      ONE 170, 1970
      Gelatin silver print
      25.3 x 20.3 cm
    • Ken Ohara, ONE 314, 1970

      Ken Ohara

      ONE 314, 1970
      Gelatin silver print
      25.3 x 20.3 cm
  • Collected into a telephone-book like tome, Ohara’s indexical artist book was originally published by Tsukiji Shokan in 1970. When he saw the book, Avedon encouraged Ohara to take a copy to the renowned photography curator John Szarkowski at the Museum of Modern Art. In a subsequent letter, Szarkowski wrote to Avedon, “The Ohara book is a very strange experience indeed. I don’t really know quite what to make of it, but I think that somehow everyone should look at it.” The curator did his best to make this happen — the artist book was made available at the MoMA bookstore and in 1974 Szarkowski included Ohara in the exhibition New Japanese Photography. 

  • Ken Ohara, GRAIN P-1, 1993

    Ken Ohara

    GRAIN P-1, 1993
    Gelatin silver prints mounted under Plexiglass
    240 x 197.2 cm
  • Nearly twenty years later, photography had expanded into monumental scales and Ohara revisited the series, selecting sixteen portraits for GRAIN (1993). Ohara prepared enlarged sheets from the negatives produced for the ONE series. Originally printed at 27 x 21.9 cm in GRAIN the works were recomposed into 9 by 9 grids, forming large 240 x 197.2 cm portraits made of a compilation of 81 individual prints.

  • Ken Ohara, GRAIN P-383, 1993

    Ken Ohara

    GRAIN P-383, 1993
    Gelatin silver prints mounted under Plexiglass
    240 x 197.2 cm
  • Ohara was born in Japan in 1962 and moved to the US when he was 19. His works are held in the collections of the Metropolitan Museum of Art, the Smithsonian, The Museum of Modern Art, The Getty, LACMA, The San Francisco Museum of Modern Art, The Nelson-Atkins Museum, Fotomuseum im Münchner Stadtmuseum, Bauhaus Dessau Foundation Collection/ Museum and others. 

  • Selected solo exhibitions include The Whitney Museum of American Art, New York (2025); Museum Folkwang, Essen (2006–07); selected group exhibitions include San Francisco Museum of Modern Art, San Francisco (2019); Thomas Walther Photography Collection, Dessau-Robau (2012); Musée de l’Elysée, Lausanne (2010); The Metropolitan Museum, New York (2004); Los Angeles County Museum of Art, Los Angeles (1999–2000); and The Museum of Modern Art, New York (1974). His works are held in collections including The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The J. Paul Getty Museum, Los Angeles; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; The Smithsonian Institution, Washington, D.C.; and the Nelson-Atkins Museum of Art, Kansas City, among others.



  • Ken Ohara, GRAIN P-15, 1993

    Ken Ohara

    GRAIN P-15, 1993
    Gelatin silver prints mounted under Plexiglass
    240 x 197.2 cm