TOUS LES MATINS DU MONDE: MICHEL MOUFFE
"We and the world are moving together towards our depths (...) and the abstraction of modern art is an attempt to tear ourselves away through rhythm from the intellectualization and mechanization of modern man and his universe."
– Henri Maldiney, "Le faux dilemme de la peinture" in Regard, Parole, Espace, Les Editions du Cerf, Paris, 2012, pp. 52.
Born in 1957 in Belgium. Lives and works in Brussels (Belgium), Le Poët-Laval (France), and La Mola (Spain). Since 1983 he has been exhibiting in Europe, the US and Asia. From 1990 until 1993 he lived and worked in New York.
"Stating the obvious, Michel Mouffe's work is as luminous as it is opaque. Crystal clear though reluctant to immediate comprehension, it dwells at the fringe of our intelligence, static yet mobile, quiet but sometimes traversed by epic breath. Incandescent and silent, unquestionably modern although it secretly shivers with Cinquecento reminiscence, it is inoculated with joy and tainted with a dash of seriousness. A work related to spring, anxious not to forget the winter it was born of and conscious of the autumn it will return to, in a perpetual oxymoron combining contraries that don't molest each other. Mouffe's creation sometimes seems to be playing with itself, if not with us, combining intelligence and wit, making us more silent than talkative, more penetrated than we can penetrate those canvases-sculptures made by a mathematician who'd turned painter or a philosopher who'd swapped pens for brushes. Indeed, the painter's work, at the edge of the abyss, inevitably invites to question the essence of existence. Precisely, his paintings summon us spectators and force us, through their implacable materiality, to be present with them and therefore, with ourselves. Simply put, when confronted with a painting by Michel Mouffe, it's complicated to pretend it's not there. Because the canvas, although it is made of inanimate matter deprived from eyes and consciousness, seems to be looking at us when we are around. Clearly, the Brussels artist's works don't suddenly open the dors to the supernatural."
Excerpt from: Michel Mouffe: Our Shares of Nothingness, Our Shares of Eternity... by Xavier Van den Broeck
Download the Exhibition Catalogue with texts by Jeanne Mouffe and Xavier Van Den Broeck.
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Michel Mouffe, (In Between), 2021
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Michel Mouffe, (In Between), 2021
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Michel Mouffe, (In Between), 2021
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Michel Mouffe, (In Between), 2021
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Michel Mouffe, (In Between), 2022
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Michel Mouffe, (In Between), 2021
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Michel Mouffe, (In Between), 2021
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Michel Mouffe, Sans Titre, 2015
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Michel Mouffe, Sans Titre, 2015
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Michel Mouffe, (Nebel) Cornerposts into the Fog, 2021
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Michel Mouffe, Sans Titre, 2014
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Michel Mouffe, Sans Titre, 2012
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Michel Mouffe, Sans Titre (Je les appelle piscines), 2017
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Michel Mouffe, Sans Titre, 2016
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Michel Mouffe, Sans Titre (Piscine), 2017
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Michel Mouffe, Grand Détachement (vert), 2017 - 2018
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Michel Mouffe, Tous les matins du monde, 2015
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Michel Mouffe, Trilogie, 2012
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Michel Mouffe, L’Origine du Monde, 2004
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Michel Mouffe, Sans Titre (Autoretrat velat en pelegri), 2018
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Michel Mouffe, Antonio Colom Fe, 2019
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Michel Mouffe, Jaume Ferrer Ferrer, 2018
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Michel Mouffe, Enrique Torres Juan, 2019
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Michel Mouffe, José Torres Guasch, 2019