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AUTOPORTRAITS AU QUOTIDIEN
KEN OHARA & MELISSA SHOOK, 6 October - 22 December 2023

AUTOPORTRAITS AU QUOTIDIEN: KEN OHARA & MELISSA SHOOK

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  • Overview
  • Installation Views
  • Works
  • Related content
Overview
AUTOPORTRAITS AU QUOTIDIEN, KEN OHARA & MELISSA SHOOK

Bringing together for the first time two major series by American artists Melissa Shook and Ken Ohara, both produced in 1972-1973, Galerie La Patinoire Royale Bach parallels two singular approaches to self-portraiture – not an occasional self-portrait, but a systematic self-portrait, an aesthetic gymnastic, a visual demand in the form of therapy, as a means of being in the world, here and now.

 

Melissa Shook – Daily Self-Portraits 1972-73

Born in Manhattan, New York in 1939, Melissa Shook grew up in Port Washington on Long Island. She died in 2020 in Chelsea, Massachussets.

On her 20th birthday, when she was a student at Bard College, her father gave her a Pentax camera. She started taking photographs but didn't become serious about it until she took the course "Photography of Human Behavior" by Columbia University lecturer Paul Byers. 

"Curious about the problem of identiy, I decided to photograph myself every day for a year. I was interested in when I would forget that I had committed myself to this project. The obsession with forgetting has been central. Having forgotten my mother, what she looked like, what she was like, how she treated me before she died when I was twelve, has been an abiding concern. Not remembering meant, to some extent, having to create a self without the foundation of remembering much about those first twelve years and trying to raise a daughter without remembering having been a child."
– Melissa Shook

In 1972, while teaching photography at a private high school and several colleges, Shook committed to documenting herself daily in her apartment, sometimes with her daughter, friends, and pet cat. Her insecurity as a single mother raising a biracial child and her obsession to keep her memory vivid and intact for her daughter were the main drives for this artistic mission. Over the next 8 months, Melissa developed a remarkably fertile personal landscape. 

Her work, published in Camera 35 Magazine, attracted the attention of MoMA curator John Szarkowski, and he purchased a dozen prints for their collection in 1975. She became the first female photography instructor at the Massachusetts Institute of Technology. In 1979 she joined the Arts & Art History Department at the University of Massachusetts, Boston, to teach photography for 31 years, leaving an indelible mark on generations of students
 
 
Ken Ohara - Diary 1972

Ken Ohara (b. 1942) was born in Tokyo, Japan. After briefly studying photography at Nihon University, Ohara moved to New York City at the age of 19 in 1962. Inspired in part by "Diary of a Century" by Jacques Henri Lartigue whom he met at Avedon Studio, Ken Ohara's “Diary 1972" features a daily self-portrait which he calls "my inward view of the day" paired with a shot of landscape, figure or still-life, “my outward view of the day” on the same day over the course of eight and a half month. The work, a collection of 35mm contact prints and shown as a miniature folded book, reveals the intimate documentation of himself, his wife, and his inner circle in New York City from March 15 to December 28, 1972, during the volatile era of the early 1970s.

For the first time, the complete "Diary 1972" serie has been printed in larger format (12.7 x 17.8 cm) and is exhibited in its entirety at La Patinoire Royale Bach, 256 days, so 512 photographs in total.

His work was featured in the exhibition "New Japanese Photography" in 1974 at the MoMa New York, and he received support for his book, ONE, from the museum's photography curator, John Szarkowski. He was also awarded the Guggenheim Memorial Foundation Fellowship from 1974 to 1975.

 

Curator | Julien Frydman

Installation Views
  • Image00024
  • Image00020
  • Photos Vincent Everarts 018
  • Photos Vincent Everarts 014
  • Photos Vincent Everarts 001
  • Photos Vincent Everarts 012
  • Photos Vincent Everarts 006
  • Photos Vincent Everarts 003
  • Photos Vincent Everarts 014
Works
  • Ken Ohara, Diary 1972, December 1
    Ken Ohara, Diary 1972, December 1
  • Ken Ohara, Diary 1972, December 26
    Ken Ohara, Diary 1972, December 26
  • Ken Ohara, Diary 1972, March 20
    Ken Ohara, Diary 1972, March 20
  • Ken Ohara, Diary 1972, March 21
    Ken Ohara, Diary 1972, March 21
  • Ken Ohara, Diary 1972, March 26
    Ken Ohara, Diary 1972, March 26
  • Ken Ohara, Diary 1972, April 11
    Ken Ohara, Diary 1972, April 11
  • Ken Ohara, Diary 1972, April 17
    Ken Ohara, Diary 1972, April 17
  • Ken Ohara, Diary 1972, August 28
    Ken Ohara, Diary 1972, August 28
  • Melissa Shook, January 2, 1973
    Melissa Shook, January 2, 1973
  • Melissa Shook, February 5 (from the contact sheet), 1973
    Melissa Shook, February 5 (from the contact sheet), 1973
  • Melissa Shook, February 26, 1973
    Melissa Shook, February 26, 1973
  • Melissa Shook, March 16, 1973
    Melissa Shook, March 16, 1973
  • Melissa Shook, March 17, 1973
    Melissa Shook, March 17, 1973
  • Melissa Shook, March 21, 1973
    Melissa Shook, March 21, 1973
  • Melissa Shook, March 23, 1973
    Melissa Shook, March 23, 1973
  • Melissa Shook, March 28, 1973
    Melissa Shook, March 28, 1973
Related content
  • MELISSA SHOOK | TBW BOOKS Events

    MELISSA SHOOK | TBW BOOKS

    MONOGRAPH 13 February 2024
    TBW Books has published a monograph devoted to Melissa Shook’s Daily Self-Portraits 1972–1973 . It was important to let my unconscious, rather than my intellect,...
    Read more

Related artists

  • KEN OHARA

    KEN OHARA

  • MELISSA SHOOK

    MELISSA SHOOK

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