South African artist Lebohang Kganye collects children’s books. In their whimsy, she tells me, she finds the space of fantasy and, among other marvels, appreciates the way pop-up books construct themselves ex nihilo. In ‘The Work of Shadows’ – staged in the cavernous, late-19th-century former skating rink that now houses Galerie La Patinoire Royale Bach – Kganye has not so much created a book as deconstructed and harnessed its parts – narrative, character, image, materiality – in order to proffer a delicate personal take on theatre, portraiture and colonial politics.
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