ALICE ANDERSON France, b. 1972

Overview
For the past fifteen years, Alice Anderson has been painting, drawing, and sculpting artefacts of technology. 

 

Anderson proposes a poetic reflection on the evolution of the technological world, where A.I., the most powerful tool humans have invented, transforms the earth, society, and the body.

 

Through performative rituals of observation, dance, and various dialogues with technological objects, the artist reconnects with the animated matter of our machines—composed of particles—and reactivates the profound link between the human and the nonhuman. 

 

For Anderson, connecting with the earth, alongside plants, stones, spaces, architectures, objects, or any form of entity, helps to restore the bonds disrupted by the Anthropocene and contribute to the creation of a Symbiocene era rooted in symbiosis.

 
In 2023 Anderson won the SAM Prize for Contemporary Art. In 2020, she was nominated for the Prix Marcel Duchamp. Her work has been included in numerous institutional exhibitions, including, among others Stedelijk Museum, Amsterdam, Netherlands (2023); Centre Pompidou, Paris, France (2022); Fontevraud Museum of Modern Art, Fontevraud, France (2021); La Patinoire Royale Brussels, Brussels, Belgium (2021); Centre Pompidou, Paris, France (2020); Atelier Calder, Saché, France (2019); Royal Academy of Arts, London, UK (2017); Saatchi Gallery, London, UK (2016); Espace Culturel Louis Vuitton Paris, France (2015); Wellcome Collection, London, UK (2014); 55th Venice Biennale (2013); Whitechapel Gallery, London, UK (2012); Freud Museum, London, UK (2011).
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